In this two part presentation the foundations and assumptions of Big Bang theory and cosmology are explored and exposed – the film speaks for itself, including some of the best presentations in plain and understandable language from respected physicists such as Eric Lerner, Fred Hoyle, Anthony Peratt, Halton Arp and many others, of the untenability of the orthodox Big Bang theory. It concludes with a brief insight into the fast developing field of plasma cosmology – the film was made in 2003, but, its basis holds true and reveals how imminent the collapse of the orthodox Big Bang theory is. We are in a time of great and exciting transition……
The Cave of Forgotten Nightmares
Deep beneath a granite mountain in south western Finland a facility is being built with the sole intention of housing nuclear waste, permanently. Its name, Onkalo, means ‘cavern’ or ‘hidden place’. It is a fittingly provocative epithet that reflects the dilema behind the project; how do we convey to those who come after us, many millenia in our future, the danger of what we are leaving buried thousands of feet beneath the surface. Will the site remain undisturbed, a prospect we might well hope for given the extreme toxicity of the cave’s contents and which the Finnish authorities are well aware of – while many countries worldwide house such repositories Finland’s policy on self generated nuclear waste is that it must remain on Finnish soil. Such solutions will remain the case, unless we can find an alternative solution to a disturbingly fallible problem for which we presently have no infallible answers.
We might look to examples left by our ancestors from the distant past for clues to such an answer, artifacts that provide evidence not only of human traits which remain recognisable within ourselves, our imaginative and creative nature for instance, the innate curiousity that drives such a nature, but which also present similar problems in interpretation. The evidence is there, enshrined in and mirrored back to us in such places as the Chauvet cave in southern France, whose 32-36,000 year old paintings did remain undisturbed until discovery. And yet, our own legacy to the deep future will be of a very different nature. If Chauvet cave deserves the name ‘Cave of Forgotten Dreams‘, given to it by the film maker Werner Herzog for his 2011 documentary film, by comparison and by the same token Onkalo may well be the ‘Cave of Forgotten Nightmares’.
Within the scope of orthodox history very long time scales are extremely hard for humans to envisage in practical terms. The people who made the paintings in Chauvet cave seem as remote as the purpose behind their artwork. We can appreciate its beauty but have no idea if the same aesthetic value we attach to the images was intrinsic to their realisation. The images have a level of sophistication both as visual realisations of the fauna they portray and as technical translations of visual perception itself to suggest that we are not that dissimilar, in fact, when Picasso emerged from Lascaux cave having seen similar paintings two thirds the age of those at Chauvet he famously declared that ‘we have learned nothing’. If anything our learning, as he implies, reflects the gulf between us, a vacuum of discontinuity. The age in which those images were made belie the fact that we inhabit the same earth as theirs, that theirs was an age of ice, of mega-fauna, of different climate and sea levels. Much of the seaboard and borderlands upon which the feet of those artists might have walked now lie beneath sea and soil. The past is buried, and remains largely undisturbed, not just by human hand, but, by thought and understanding.
The recorded histories we have access to are confined largely to the most recent half of the post-glacial era in which we currently live, a period of 12 thousand years, which might be viably considered ‘our own time’ within which our current state as a modern species has developed. While we have discovered cave paintings that reach back at least twice as far and recovered artifacts from subterranean sites, such as bird bone flutes, which were made over 60 thousand years ago, we are not only blind within but prejudiced by our own ignorance. It is certain that we knew musical sounds even then yet can only speculate, according to our own values and imaginative use of sonic technology within the ‘historical’ time frame, on what the technological, social and cultural contexts were like within which such ‘music’ was made. Beyond that, orthodox ideas of human history give us little to go on, the dating of deposits within which stone tools and human remains have been found revealing a limited understanding of what our ancestry were experiencing. Non-invasive dating methods can reveal much, including the presence of radionuclides within their environment. However, no-one from that time, it seems, gave us any comprehensive clues as to the full range of our capabilities, the effect these had on the subglacial world we lived in. If our ancestors left us signs that we need to be aware of, ‘intended for us’ their far distant descendants to take heed of, they have escaped our attention – we have only our own experiences and memories as a modern variation of the human genus to go on. As a result the orthodox concensus sees present day humans as ‘advanced’, beyond a palaeolithic presence that yet remains a mystery.
Even so, there are those who claim to have knowledge of times that precede ‘our own’ by many millenia, both ‘indigenous’ and contemporary, whose understanding is capable of penetrating and populating the ‘unknown’ era that we otherwise have so little understanding of with a meaningful vision of our past. All too often it is a vision that runs counter to the orthodox view, and, consequently, such knowledge is not valued sufficiently to offer a plausible account, is inevitably viewed with extreme scepticism, drawing hostile criticism if made public and, in the absence of supporting ‘evidence’, is more often than not simply dismissed as speculative fiction. Such is the paradox of a species that relies upon ‘proof’ in establishing the reality of its own past – while we have so little ‘acceptable proof’ to hand we remain divorced from our heritage and ignore the possibility that we may well have missed the historical elephant in our own midst. Just as we also ignore the reality of our own immaturity with respect to the future in how we currently use the technologies we have created we prefer to deny the possibility that a comparable level of technological development had been achieved in the deep past. Precluding such a possibility we look upon our ancestors as an inferior ‘other’, distinct from ourselves. Who is to say that our own descendants might not view us similarly….what ‘evidence’ might we leave to the contrary?
This is the question at the heart of Onkalo.
In his memoir ‘Quicksand’ the Swedish author and playwright Henning Mankel made a very pertinent observation concerning the problem of transmitting a vital message across deep time. While talking of Onkalo and the means by which a warning could be conveyed of ‘what lies beneath’ he pointed out the fact that human language itself is an ephemeral human artifact, intrinsically mutable and self referential, changing in form over relatively short periods of time even while its core meanings remain embedded within it. Meanings too are subject to change. And, in the age of unbridled ‘progress’, we inhabit the wave of change in language at its leading edge, relevant within our current context while virtually blinkered to its wake, assuming rather than ensuring that our ‘meanings’ will survive through time.
Comparatively speaking a mere 700 years seperate us from the time of Geoffrey Chaucer yet Chaucerian english is very different to its contemporary urban counterpart. Even though we can recognise the everyday lives and roles of those Chaucer described, despite their virtual disappearance within contemporary westernised life, his 14th century language requires translation for its context to be fully grasped, hardly a common pursuit or skill considered relevant to our everyday way of life. Yet this is the very skill that Onkalo’s message must rely upon, as a safeguard against misinterpretation and insurance against ignorance of the relevance of the message to those who might encounter it in the far distant future.
That future is around 100 millenia away, the estimated half life of the radioactive isotopes that will be buried within their granite sarcophagus at Onkalo, before the danger subsides enough for the message to become relatively redundant. A symbolism that has greater longevity suggests itself, one that is not as subject to the effects of time upon its readability, but, what symbols do we know of that bridge such a span of time. We struggle with symbols left by our ancestors 10 thousand years ago, such as those carved in stone at Gobekli Tepe temple complex in present day southern Turkey.
The builders of that temple may have had it in mind to convey a vital message to us, and this too is a site that was deliberately covered over centuries after its creation. As yet this remains a speculative unknown, not beyond the realms of possibility, but, subject to the same criterion of time, context and meaning none the less. Can we set an ‘alarm’ that will still function even 10,000 years from now?
Mankel’s concern is informed by a clear appreciation of the need for such an alarm, a warning against entering the realms of almost certain death – he was a committed opponent of nuclear technologies. He wonders in ‘Quicksand’ if Onkalo’s best safeguard for our descendants might not be total obscurity, making the first line of defence invisibility, hiding the site from the future. Such cannot be accomplished without risk – the entrance to and existence of Onkalo, while it could conceivably be ‘forgotten’, could not be guaranteed to remain hidden; the earth moves and all eventualities cannot be accounted for. Given our present understanding of glacial cycles we could reasonably expect 8 or 9 ice ages to occur over the intervening time. And clearly, given the quarter of a million tonnes of nuclear waste already in existence, we have ventured too far down the nuclear highway to turn back, or to ignore the threat it represents.
As the website of the World Nuclear Association states “The main objective in managing and disposing of radioactive (or other) waste is to protect people and the environment. This means isolating or diluting the waste so that the rate or concentration of any radionuclides returned to the biosphere is harmless. To achieve this, practically all wastes are contained and managed – some clearly need deep and permanent burial. From nuclear power generation, none is allowed to cause harmful pollution.” And yet, as the industry itself clearly demonstrates through this statement, the future is vaccinated against such a threat by its very denial of it – ‘diluting the waste’ does not reduce its toxicity as a single particle is enough to propogate cancer, and ‘deep and permanent burial’ equals wilful ignorance, both of the redundancy of nuclear power in the face of viable alternatives and of the reasons it persists. Such wilful ignorance cares little for its own responsibilities. At Onkalo this problem does not escape attention, even while it attempts to bury it as a solution, and this dilema was beautifully exposed in the film ‘Into Eternity’, released in 2010 and made by director Michael Madsen in direct response to Onkalo.
As an image of beauty Chauvet cave is deeply profound, not simply because of its aesthetic or indeed its mystery, but because it appears as a gift from our ancestors, unsullied by projections of fear or intimations of catastrophobia. We tend to overlook the collective loss of habitat and animal life it foreshadows. It could have been intended as a warning of such loss, an attempt to remember forwards what was already being subjected to and experienced as profound change by its artists. Werner Herzog remarked upon the remarkable freshness of the paintings, as if the presence of the artist had been protected along with the paintings themselves. The cave had remained sealed virtually since the images time of making, but, it was the work of nature, not human intention, that made it so. No such beauty belongs to the nuclear legacy. It is a legacy built upon quicksand, a palaeolithic inheritance of the future that we cannot wish to be claimed.
For three days Aké had seen nothing but a sea of dunes, featureless and seemingly endless under the searing sun. He was becoming weary and very low on water, but, on this morning something had caught his attention. He was standing atop a high crest and through eyes half closed against the light and distance was watching an area of turbulence on the horizon, far off to the north and east. He was seeing something moving, rippling in and out of vision. Around it the desert was a blur, the boundary between sky and land become smudged and flattened into a single darkening tone. But, as curious as it appeared to him, Aké felt this mystery to be the least of his troubles. Having no choice but to find the oasis that he and his mentor Pemba had set out for, his initiation had thrown him into a struggle for survival.
He had taken to walking between first and last light for only as long as he dared, stopping to rest and sheltering as best he could at the height of the day. He knew to use the sun and stars to navigate, and he knew how to move silently and quickly at night, Pemba had instructed him in these things, but, to Aké it was impossible to tell if he was nearer his goal or not. He might as well have been going round in circles. In fact Aké had come face to face with the true nature of his challenge – only through fully opening up and using the connection between his personal medicine and the beings of the otherworlds would he survive. This is how it was with initiation, and with good reason.
Just how close Aké was to his goal only the hawk hovering far above him could see. But, the desert can be full of deceptions and, at any moment, even an experienced traveller can be led astray by the forces at large in that vast wilderness……
……Pemba heared soft footsteps approaching. Pulling his mind’s eye from the burning sky he looked up in time to see Tuq stepping into the shade of the ancient palms. He squatted beside Pemba, an expectant look on his travel worn face.
“Ahhh, I knew you would not disappoint Pemba….you never do…”, said Tuq turning to survey the oasis with a satisfied smile.
It was not enough to fool Pemba – he could sense the tension in the tall northerner. “You make me sound like a horse trader Tuq”, he said, needling his old friend.
Tuq made a sour face and gestured over his shoulder. “Did he see you?”
Pemba considered a moment.
“My shadow crossed his path, briefly, but….”
“……ahahhh! So, you are losing your touch old man!”, said Tuq slapping the sand with a laugh.
“Then again, he might be exceptional…”, Pemba continued. The laughter fell from from Tuq’s face and he gave Pemba a sharp look. His piercing blue eyes cut like a laser, but, Pemba smiled and placed his hand on Tuq’s shoulder.
“I promise, he is….”, he added.
Tuq unconsciously stroked the long straggley hair of his sunbleached beard.
“Then we had better make ready for the young master…..he’ll have to be exceptional if he’s going to fulfill your promise”, he said, fixing Pemba with his stare again, “we are all relying on it”. He was right to be nervous. Much would be determined with Aké’s arrival and the moment he and Tuq finally confronted each other. But, the north-man smiled ruefully and with a shrug rose to his feet, seemingly putting his concerns to one side.
“Come on, old man, you’ll ferment under this sun if you sit here much longer”, and, offering him his hand, he pulled Pemba to his feet.
For all his abrupt manners and hidden thinking Pemba liked Tuq. It was true, he could be as hard to read as the sea of mysterious symbols that covered his body. As they walked back towards the circle of tents Pemba remembered how they had met. It had been further north, up by the Plateau of the Painted Rocks, the people’s old meeting place. Arune the Far-Seer, Pemba’s own teacher, had brought him there to learn of their deep past……on their arrival they had found Tuq, tending mint tea over a fire, as if he had been waiting for them. Arune saw it as a sign that the spirits were intervening, but, to what ends neither the old seer nor his ward were able to foretell. However, in the course of time Tuq’s appearance had taken on a deeper significance.
Having come into our midst out of nowhere, so many seasons ago, the mystery surrounding old Tuq was more than skin deep. He was both familiar and alien, recognised now as one of the far-seers, but, one whose skills and gifts were rooted in a very different soil. And, in the course of time, it was this crucial fact that helped us understand how lucky we were to have such a shrewd ally amongst us, for Tuq brought one factor into our midst that mattered above all others now – he knew the ways of the People of the Dead.
Now, the future and the past were pulling together on all our paths and this place, the hidden oasis, was the crossroads at which they would finally converge. It would be Aké’s task to remember not only his own path to the oasis, but, that of Tuq as well, for their fates had long been tied unto each other.
Aké felt the soft sand beneath him shift as he came to the crest of yet another dune. Beads of sweat dripped from his brow and stung his eyes. The horizon shimmered with seductive visions rippling at the edge of sight. He strained to see through the illusion, unsure of what was real. The eastern horizon looked for all the world as if it were moving towards him. And, were those trees, or some whim of the light and heat, a trick of the Djinn?
He had heard the elders talk of those powerful spirit beings who inhabited the wild places. In their knowledge the Djinn were older than the Earth and had come to this place with the Ancients, the life-bringers and first colonisers of this planet. But, the Djinn were also known as demanding teachers, impartial to the ways of humans, giving favour according to laws known only to themselves. The elders had sung of such things.
As he gazed into the distance a memory arose in Aké’s mind of a song he had once heard his mother singing, an origins song. It was through the gift of the Djinn, the song related, that the people learned to travel beyond the known. Since the beginning it had been the challenge of initiates to follow the ghost paths laid by the Djinn through the mirages that haunted this endlessly shifting and trackless land. As the words of the song came back to him they also reminded Aké of their darker side, of how the Djinn spoke in riddles and that, in this place, the sun’s fingers would try to find their way into the traveller’s mind and ply it away from the body and its senses. He began to understand why this song was associated with initiation – it was itself a riddle, filled with riddles.
However, as Aké remembered the voice of his mother he began to feel as though the memory held an important message, a vital piece of information, a key. He wondered if it was something that would help him find his way to the oasis.
In that moment Aké was rocked by a sharp jolt beneath his feet, followed by another and another, and a sound, so deep it was more felt than heard. It felt like a movement in the belly of the great earth spirit. A violent kick took Aké’s feet from beneath him and he fell, tumbling down the face of the dune.
He slid slowly to a halt and lay clutching at the fragile stillness, waiting…..and then he tasted it, a faint vibration at back of his throat. It was an unmistakable earthy taste that seemed to register in his very bones as its subtle musky scent played with his senses. Water.
Pemba stopped midstep, a look of puzzlement on his face.
“What is it old man, spirits got your back again….” Tuq teased his friend, giving Pemba a knowing smile.
But, Tuq quickly put his joking aside when he saw that Pemba’s face was a study of concentration.
“Did you feel it” Pemba said meeting Tuq’s eyes. He turned again to survey the sky beyond the palms. “I could have sworn…..”
Tuq’s eyes narrowed as he followed Pemba’s gaze. At that moment Demuz, the chief seer of the Blue Desert Tribe came out of the low entrance to her tent and called Pemba’s name. She strode purposefully towards them, her long indigo robe swirling behind her. She was quickly followed by a much younger woman, Demuz’ protégé Sapha. She joined her mentor just in time to hear the old woman begin speaking to the two men.
“Well, it appears your apprentice has company Pemba”, the old woman said, raising an eyebrow. Pemba looked from Demuz to Tuq and turned once again to look beyond the palm trees.
“Earth spirit….by the feel of it” he said under his breath.
“Mmmm…perhaps”, said Demuz, giving her apprentice a conspiratorial smile, “and then again….”
Pemba dropped his gaze. “Strange, the sky shows no signs and the trees remain still” he said, voicing his thoughts.
“Sapha, show our brothers what you saw in your dreaming just now”, the old woman said, giving her protégé a nod of encouragement.
Tuq and Pemba turned to look at the young woman. Sapha returned their gaze and then, squatting to smooth out an area of sand, drew a series of signs with her finger, finishing it off by enclosing the design within a circle. She looked up briefly and then began adding a second set of heiroglyphs, this time enclosing the pattern in a tent shape. Dividing the two designs she drew a deep line. She paused and, satisfied with her work, raised her eyes to look at Tuq…..by his expression he obviously knew what some of the signs meant.
Slowly squatting down to examine the patterns more closely, Tuq glanced at Sapha then pulled back his sleeve to reveal his right arm. One of the signs in the circle was identical to marks tattooed just below his elbow. Sapha nodded and pointed with her chin to the marks on his arm and then to the desert beyond the palm trees.
The young mute seer suddenly swept her hand across the design enclosed by the circle, scooped up a handful of the sand and threw it skywards with a look of alarm. Tuq’s face became grave with concern.
“We must send him warning”, he said, “he’s walking into a trap”.
“But, we cannot interfere Tuq”, Pemba said as he dropped to one knee, looking intently at the remaining design. “The spirits will either help Aké, or…..”
“…or our fate will be decided for us,” broke in the old woman, her face inscrutible and stern, “along with his!”
She had spoken the truth, and the two men knew it. Pemba, however, touched one of the designs in the tent shape and looked to Sapha.
“This is the sign of the water spirit, is it not, according to the language of the Blue tribes, and this….” he pointed at the design next to it, “….what is this?”
“It is the sign of the unkown Pemba…that which can neither be seen nor be foreseen. Your ward has company….but, we cannot tell if it is benevolent or not. It seems to be leading him both to the safety of the oasis and directly into the heart of danger. An unexpected challenge has been set for him…..” Demuz said, driving home the point.
Pemba stood and took a few steps towards the palms. His eyes half closed he scanned the sky and reached out with his mind. Far off beyond the trees the plaintive cry of a hawk was barely audible, but, it was enough for Pemba to relax his shoulders slightly and let out a sigh. Silently he returned the call to his spirit ally and waited.
Aké was sure that he was being watched. He looked around, quickly surveying the valley and the crests of the dunes above. There was no-one in sight, but, the feeling would not go away. He rose from his haunches and, dusting himself off from the fall, suddenly felt the bulge of the water gourd beneath Pembas blanket. A strange thought entered his mind and he quickly took out the gourd. It did not make any sense, as he would be literally pouring away the precious liquid, but, he had the strongest urge to make an offering of water to the spirit in this place. He took the stopper from the gourd and hesitated, searching for words to accompany the offering.
He poured a little water from the gourd into his cupped hand and, with eyes closed, spoke his thoughts into the clear cool liquid. Then, after offering the water his breath, he let it trickle between his fingers. A nebula of small craters appeared at Aké’s feet as the water seeped quickly into the soft sand. Gazing at the pattern as he returned the stopper to the gourd he began to realise – there was something in that pattern.
He reached behind his back for the divining bag and unwound the thong that bound its neck. Reaching in, Aké’s fingers touched upon something hard and spherical. He carefully eased it out of the bag. It was a seed pod, of the kind used by the dancers in his village as a rattle. With a swift flick of his wrist it released a crisp sigh. The sound brought an indistinct image briefly into Aké’s mind. He gave the pod another shake, and another, and as he listened each shake of the rattle began to merge into one flowing sound. In his mind he saw a dancing ribbon of dark energy, sparkling like water as it moved, but, through it he could see the pattern made by the water he had offered. The sound of the rattle swirled about him and the image began to shimmer, just like the mirages at the desert’s far edge. Aké increased the rhythm and within the vision a turquoise pool emerged, surrounded by swaying trees. He could see low dark tents and something indistinct that was moving towards him very quickly. Before he knew it a strange looking face thrust itself before him in the vision. He fell backwards, dropping the rattle and divining bag, and lay on his back gasping.
The face had not just startled him, there was something about it that was unusual, alien, but more than that…..he felt he knew it. No, that was not it – it knew him. A knot of fear pulled at his stomach and, with it, the feeling of being watched returned. He knew that he was not alone.
A shout rang out from the far edge of the oasis quickly followed by a gust of warm wind that set the palms swaying. Another gust sent them dancing, their long leaves hissing, as if shaken by an invisible hand.
“Habūb!” came the cry again.
“By the spirits”, said Tuq under his breath. He glanced at Pemba, but, the old diviner was still and silent, looking to the west in the direction of Aké.
“Your ward will have his mettle tested”, said Demuz, coming to his side.
But, Pemba said nothing, his gaze focused on something far above the horizon.
After a moment he turned to Demuz, a resigned look cast upon his face. He breathed in, his lips pursed, and gave a slow nod. He knew full well what this would mean for Aké.
“We shall see”, was all he said, “we shall see…”
The shadows began to soften and melt into the sand as Aké picked himself up and quickly gathered the diviner’s bag and rattle. The air began to shift, a fine veil of dust washing over the water marks at his feet. But, Aké’s attention was now fixed on the eastern horizon. Beyond the dunes the air was becoming dull and heavy, an opaque blanket obscuring the skies. He had never seen its like, but, it told him enough – he must find shelter. A strong gust of wind stung his face as the desert around him began to shift and scurry.
Then he saw it. A great wall of billowing sand was rushing towards him, rising up into the sky beyond the dunes. He turned to run, searching for a place to hide. Just as he came to a bend in the dunes he heard the roar of the wind at his back. Aké’s instincts took over and he sprinted as he had never done before. Then something snagged his foot and he went flying, tumbling over a hard and unforgiving shape buried in the sand. He had dropped the diviner’s bag and, turning to look over his shoulder, a sharp pain shot through his ribs. The wall of sand was nearly upon him, but, it was then that he saw what had tripped him up. A thin sinuous tendril covered in barbs snaked up out of the sand, like one of the forest vines on which the seed pod rattles grew, and beneath it was an unatural shadow. The divining bag sat at its edge. He scrambled back towards it and, just as his hands reached the bag, he felt the sand beneath him give way. The sky disappeared and a chaotic maelstrom of howling wind and dust swallowed the desert and Aké whole.
Demuz’ tent had become a dark cave, its eastern walls bulging inwards with the force of the wind. The sound was deafening and no-one spoke. Pemba sat with his eyes closed close to the entrance as Demuz and Sapha checked the tent’s inner supports. Tuq had gone to check on the animals and other tents. Pemba was waiting to secure the entrance flap when he returned.
Time stretched out in a seemingly endless moment and in the chaos beyond the walls of the tent everything lost its form. Within, the diviners waited for Tuq, but, he did not come.
Pemba looked to the two women and had to shout to make himself heard. “I am going to look for him”.
“Tuq will be safe, in another tent….” Demuz reassured Pemba, ” he is no stranger to the desert”.
But, Pemba was uncertain. A gut feeling told him that all was not well. Tuq should have returned long before now. He knew that what Sapha had shown them had revealed more to Tuq than he had had time to say. He closed his eyes again and reached out with his mind to his spirit ally.
The desert below the hawk had become a churning mass of clouds, engulfing the oasis and the dunes beyond. Pemba bid the hawk look to the west but his vision revealed no break in the turmoil. Amidst the desert storm there was nothing to be done but to sit it out. But, there was something strange at work here. Within the roar of the wind Pemba thought he could hear voices. The old diviner listened intently, trying to make out what was being said. After a moment he opened his eyes and moved from the entrance to sit with the two women. He leaned in close to Demuz to make his voice heard.
“This is no ordinary storm”, he said, “there is something in its midst, I can hear it”.
Demuz closed her eyes and concentrated her mind on the sounds that surrounded the tent.
“It is how it is sometimes Pemba”, she said, her eyes still closed, “you are right though, I feel it too.” She opened her eyes and looked to her apprentice. “Sapha, was this what you saw in your dreaming?”
Sapha put her hand to her ear and nodded in confirmation. She leant over to retrieve her divining bag and drew a small tablet of stone from it. Reaching into her robe she produced small pouch and pulling a finger of charcoal from it drew two symbols on the stone. They were identical to the symbols that Tuq had recognised, one of which he had tattooed on his arm. This one was shaped like a thin triangular pinnacle with a wavey line emerging vertically from its point, a second horizontal one snaking across the middle of the symbol. She looked intently at the two old diviners.
Both Demuz and Pemba knew what this symbol signified, but, the other was unknown to Pemba. He pointed at it with his chin, an enquiring look on his face.
“That is a symbol that belongs to the People of the Dead, Pemba”, Demuz said with a grave look. “It is old, but not of the age of our own language which we have carried from the beginning. We know that its origins are tied up with the desert, but, its meaning is elusive….save the fact that it has destruction at its heart. There are few that can say more”. The symbol took the form of a central disc with three wide rays radiating from it.
Aké had pulled Pemba’s blanket around him and lay curled up beneath it in a shallow hollow, the storm raging over him. The wind swirled violently around him tugging at the blanket. He was breathing hard, the air above him thick with dust and noise, and the pain in his ribs was beginning to gnaw at his mind. For a brief moment he thought that he could hear someone calling through the storm, but, he reassured himself that it must be another of the desert’s illusions.
For a young boy on his way to becoming a man, being brought up in the savannah and forests, there were no memories to draw upon that would tell him what to do in this situation. It was entirely alien to him. He tried to think but the chaos that surrounded him made it impossible – he could only wait it out and hope. But, as he lay there holding on to the blanket with all his might, another sense within him began to emerge. His mind began to still and a curious calmness enfolded him. Aké listened more deeply and this time he was certain of it – from the heart of the wind a voice was calling him.
He heard his name, as if coming from a great distance, and then it was swallowed up in a multitude of voices that spoke in a tongue he did not recognise. The voices rose and fell, coming in waves, increasing with each pulse until a continuous chant seemed to almost drown out the wind itself. The strange face he had seen in his vision of the oasis appeared briefly in his mind again and immediately the chanting ceased. He could not tell if it was his mind playing a trick but a powerful deep voice suddenly said a single word. “Moqsula!”
And then, as if the word had cast a spell upon the storm the wind began to calm. Within a few minutes all was deathly still and silent.
Aké lay there, motionless, not knowing if he had fallen into a vision or not. He felt Pemba’s blanket resting on his body and slowly released his grip on it. Lifting a corner her peered tentatively from beneath it, his eyes widening at what he saw. Where there had been nothing but soft sand he now saw red earthy ground dappled with patches of gravel and rock streaked with dust. He listened carefully before throwing off the blanket and looking around. The valley was unrecognisable. The dunes around him had now closed off the valley forming an ampitheatre in the shape of a teardrop but at its centre was a flat area of open ground. Then he looked again at what had tripped him up.
A long post was bent over towards him, almost touching the ground. It terminated in a curious flat triangular form, looking for all the world like a totem with a tent shaped head. He could not tell what the post and its head piece were made of, but, it was smooth and shiny at its edges. He noticed that the corners of the head were twisted reminding Aké of a tent flap caught by the wind, as if frozen in time. Around the pole a length of the barbed vine snaked in a loose spiral and reached up over the triangle ending in the snag that had caught his foot. The post was embedded in a hard edged lump of smooth rock, only it was unlike any rock Aké had ever seen before. Whatever it was it had given him crucial protection and where he had huddled the sand still lay. It formed a nest in the shape of his body stretched into a long thin rippling dune by the wind.
He gingerly rose to his feet and found that his ribs had stopped aching, not even a twinge. If that was not curious enough, when Aké saw the other side of the triangle he caught his breath. A very peculiar symbol covered its surface and the sight of it made him feel suddenly anxious…..a central disc in black, three wide rays fanning out from it amidst a bright yellow field, with a black border following the edge of the triangle.
Pemba and Demuz were staring at each other, unsure of what they were hearing. The storm had subsided, but, with a suddenness that defied their senses. Sapha was already rising to open the tent flap before either of the elders spoke. It had become unnaturally quiet.
“Take care now Sapha”, said Demuz slowly rising to her feet, “whatever that was it was not like any habūb I have ever known….”
“I must find Tuq” said Pemba as he came to the tent flap. Sapha lifted it for him and he stepped slowly out. He was greeted by a brilliant light under clear deep blue skies, and the oasis was surprisingly unchanged to his eyes. People were emerging from their tents, the animals were shaking off the dust, and going from tent to tent Pemba asked if Tuq had been with them during the storm. No-one had seen him. Pemba strode to the western edge of the oasis and surveyed the desert, but, there was no sign of Tuq.
Aké ran his hand over the surface of the pole and found it smooth, hard and surpisingly cool under his fingers – and, it shone in the sunlight. He gently touched one of the barbs on the vine, but, this was like no living plant, or, he felt, ever had been living. It was as hard as the pole and wickedly sharp.
At that moment a noise behind him made Aké jump and he spun on his heal to see a tall man dressed in the dark robe of a desert dweller standing at the crest of the dune. The stranger raised his hand and called out.
Aké felt a wave of relief course through him at the sound of his name, but, when the stranger began descending the face of the dune he quickly gathered up his belongings and turned to put the post between himself and the stranger. When he turned back the man was no longer in sight.
Aké blinked and shook his head, but, the valley was deserted.
“I must be dreaming”, he muttered to himself and waited a moment, half expecting the stranger to suddenly rematerialise. But, he was alone again, and, checking to see that he had all his belongings, he began to climb the dune towards the place he had seen the stranger. When he reached the crest his confusion deepened as he could find no tracks in the sand. He glanced around and then looked briefly back at the curious totem. There was no-one to be seen, but, it was then that he saw something that made his heart leap. A green line rippled just beyond the dunes in the middle distance. “Those are treetops….” he exclaimed with sudden surprise. He rubbed his eyes, but, it was no illusion. “The oasis!”
The young initiate now had no doubt about his direction and broke into an urgent stride in the direction of the green streak amidst the dunes. As he walked he began to notice how everything seemed unusually clear, as if radiating with its own light. He stopped momentarily to look down at his feet and saw the sand sliding away, looking for all the world like gold dust. He knelt down and ran his fingers over its surface. It felt like sand, but, he could see every particle with astonishing clarity and for a moment became mesmerised by its beauty.
Something had happened to him and he realised that he was not only seeing things differently but was hearing and feeling all around him in an unusually sensitive way. He could hear the golden grains of sand as he shifted his feet, whispering softly as it fell away. Everything had become so immediate, as if it were all a part of him, intimately connected with him through his feelings. But, when he connected with his feelings they too began to shift, like the golden sand, reforming themselves into a sense of fullness and solidity he had never experienced before. He felt bigger, much bigger than before, as though he had grown beyond his skin and was being touched by all that surrounded him. He almost had a sense of seeing through someone elses eyes….or something elses.
As he moved the world moved with him and flooded his senses with an ecstatic feeling of belonging. Whatever it was that had happened to Aké he found a great joy accompanying each new sensation. Then it occured to him – this joy was not his alone. He felt held, supported by a great energy field that surged through his body and, at the heart of that energy an even stronger sense was beginning to emerge. The sense of belonging was deepening into a sense of knowing. It was almost as if he understood the sand, the clear radiant sky, the rippling shapes within the desert – the world was speaking to him.
Aké picked up his pace and felt a rush of elation as he crested the next dune and saw once again the green ripple of treetops, much closer now. He felt weightless as he rushed down the dune and effortlessly crested the next, and the next. He was sure he must be very close now, that this must be the last ridge of sand before the oasis revealed itself, but, as he was nearing the top he heard a voice, coming from far above….the cry of a hawk.
Aké looked up in time to see a small speck high above the desert moving swiftly away beyond the crest. He scrambled up the steep slope, but, was stopped in his tracks when someone called out. Standing on the crest a short way off to his left was the stranger.
‘Chenge and the Spider’ & ‘Riddles Within Riddles’ © Rob Purday 2013-16